Vermont Quilt Festival 2012 was a resounding success from the point of view of the visitors! We had, as usual a good time, and we all left nice and tired! That's how it should be. Previously I recounted the shopping coups and didn't mention too much about the quilts themselves. The quilts were, as they always are, quite lovely. So much work goes into each show quilt. More work than I can imagine ever doing. Artisans all, the quilters who compete are all winners to me because of the effort and the care they put into making and showing their creations. I took a class in free motion purporting to free me from too much tension and letting myself get comfy with the medium. The class was fine. A bit too touchy-feely, but there were people there who really benefitted from a more free approach to free motion. The pictures I am using are from the show - they were my favorites and if I had the names of the creators I would add those. The pictures are small enough to preclude using them as patterns, as I want to at least try to meet expectations when I post the work of others.
Some of the class practice techniques were interesting - such as tracing designs with your finger several times to train the brain in a pattern of your choice. Then there was some emphasis on pencil drawings of the designs you were interested in. Some benefit can surely be gotten from this sort of thing, especially for people who haven't previously done much drawing or had art training. Books were being promoted both in the class and in the Zentangle class and the booths which were selling the
Zentangle products. Zentangle is very attractive, and the fact that I love paper and pencils and art items of all sorts makes the Zentangle sets alluring! I did, however, resist because I wanted to buy
Lead Day's book instead of falling for the gimmick and over pricing of Zentangle. BUT, O really did think the books are of help to those who just cannot think easily of designs.
All told we had a good day, and it was made extra special because two friends from Maine, and one from Southern Vermont came up and we were able to network, which is what I like to call lunch at the Peking Duck! No, really - we did a lot of talking about the show, quilting, each others machines and works-in-progress and in general had a really good time! It is so good to see friends and to shop with them as well...and to shop with those who understand our thread and fabric manias!
Some of the class practice techniques were interesting - such as tracing designs with your finger several times to train the brain in a pattern of your choice. Then there was some emphasis on pencil drawings of the designs you were interested in. Some benefit can surely be gotten from this sort of thing, especially for people who haven't previously done much drawing or had art training. Books were being promoted both in the class and in the Zentangle class and the booths which were selling the Zentangle products. Zentangle is very attractive, and the fact that I love paper and pencils and art items of all sorts makes the Zentangle sets alluring! I did, however, resist because I wanted to buy Lead Day's book instead of falling for the gimmick and over pricing of Zentangle. BUT, O really did think the books are of help to those who just cannot think easily of designs.
All told we had a good day, and it was made extra special because two friends from Maine, and one from Southern Vermont came up and we were able to network, which is what I like to call lunch at the Peking Duck! No, really - we did a lot of talking about the show, quilting, each others machines and works-in-progress and in general had a really good time! It is so good to see friends and to shop with them as well...and to shop with those who understand our thread and fabric manias!
